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Check back for updates. IntroSems not listed on the space-available page have waitlists or are full and currently closed. Sappho, the archaic poet from the Greek island of Lesbos, has probably been the most influential female poet in Western civilization, although her life remains an intriguing enigma.

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Imagine that two millenia or so in the future, literary experts attempt to collect the glories of our literature. Most of our paper writings have crumbled into dust or used for kindling; all our digital files are long gone or indecipherable. English is a dead language and many of the cultural references are a complete puzzle to them.

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The reader who enters the Sapphic realm will be initiated into an atmosphere of ritual, ecstasy, contrasting outpouring of emotions, all of this being both concealed and revealed by fragmentary, yet vivid aesthetic descriptions of a nature inspired by the Lesbos Island. The Apollonian nature of her work lies in the beautiful, evocative and musical forms and structures of poetry, while the Dionysian is represented by the powerful underlying emotions and experiences. Her work is concerned with sensuality, with a disintegration and reconstruction of the senses and with the bittersweet nature of love.

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The Res Gestae Divi Augusti represents a unique case of a bilingual text in more than one respect: it was originally written in Latin and almost simultaneously was translated into Greek, each version addressing different primary target audiences. Comparative study of elective instances can help to assess the politics of translation at work in the composition of a political translation. The Greek text deliberately follows closely the structure and the format of the Latin syntax but on several occasions it strays off the Latin original.

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Little is known with certainty about the life of Sappho, or Psappha in her native Aeolic dialect. She was born probably about B. Apparently her birthplace was either Eressos or Mytilene, the main city on the island, where she seems to have lived for some time.

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New papyrus finds are refining our idea of Sappho. Some scholars question how personal her erotic poems actually are. Judging from the style of the handwriting, Obbink estimated that it dated to around A.

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His writings acknowledge that the production and consumption of poetry about love are enterprises in which women engage too. In Tristia 3. In a more oblique fashion, he pointedly characterizes various female figures in his epic Metamorphoses as skillful erotic communicators, chief among them Thisbe in Book 4.

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What do we know about Sappho? That she was born sometime around B. Alcaeus calls her ''violet haired, pure, honey-smiling Sappho''; perhaps she looked like the young Elizabeth Taylor.

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