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To have a Marquise with buoyancy and humor, whose sweet concern might even be sincere, is a startling idea; you can see how easily her fellow aristocrats might be taken in by this warm, beautiful young widow. By changing the fate of key characters, the innocent year old Cecile Fairuza Balk and the deeply pious Madame de Tourvel Meg TillyForman and screenwriter Jean-Claude Carriere may have thought they were underlining the hypocrisy of the day. The story unfolds roughly as before: The action is set in motion by the imminent marriage of convent-educated Cecile to Gercourt, the ongoing lover of the widowed Merteuil.

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Les Liaisons dangereusest he novel of sexual intrigue by Pierre Choderlos de Laclos, has become one of the most adapted literary classics in the two decades since it was reincarnated as a hit play by the British dramatist Christopher Hampton. Add to this Chinese and Korean films, a French modern-day miniseries, two operas, and several ballets. A revival of Liaisonsimported from London, is currently playing on Broadway, and there is talk of a Christopher Hampton-scripted BBC miniseries based on the novel.

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When the crowd disperses, her lover Gercourt promptly tears off her veil, and their torrid encounter ends with Merteuil blowing a kiss to the coffin — and embracing the freedom widowhood once afforded women. Once you know what they do, how they walk, how they shout at someone, then you can start piecing it together. Dangerous Liaisons succeeds where Frankenstein, which opened to mixed reviews and was recently revived, erred.

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Take the Marquise de Merteuil for example. The girl is straight up money. To say she lives in opulence is like saying I had only a few slices of pizza last night.

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Cavaseno, from Syosset, N. This version was adapted for the stage by the British playwright Christopher Hampton in While the play is set in Paris in the s, costumes and set design anchor the atmosphere in pre-revolution France, the dialogue and the themes raised are decidedly contemporary.

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Based on the famous novel that scandalised both the French aristocracy and literary world, the ballet tells a complex story of seduction and manipulation. But a convoluted plot in need of dramaturgical thinning ultimately dilutes the dramatic potency of the work. Through a series of letters, the two protagonists and their many victims gradually weave a densely layered web of lies and sexual immorality.

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I booked Les Liaisons Dangereuses in some trepidation, though: not only is it up there amongst my favourite novels, but for anyone of my generation, a revival will always evoke memories of the production with Lindsay Duncan and the late, lamented Alan Rickman, and the celebrated Stephen Frears film starring John Malkovich and Glenn Close. The plot is gloriously serpentine: it centres on the Marquise de Merteuil Janet McTeer and the Vicomte de Valmont Dominic Westformer lovers whose favourite sport is sexual intrigue. Merteuil agrees that she will spend another night with Valmont, but only if he provides written proof of his seduction of Madame de Tourvel.

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So we're a few years before the French Revolution, when the lower classes in France turned against the wealthy aristocracy and the whole social structure got turned on its head. Heads aren't rolling yet and there isn't a reign of terror just now, but there's a clear, steady reign of decadence among the nobility. The rich folks in this novel have way too much time on their hands. To amuse themselves, they play around with the lives of others just to see what will happen.

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Marquise de Merteuil: You'll find the shame is like the pain, you only feel it once. Marquise de Merteuil: I've distilled every thing to one single principle: win or die. Vicomte de Valmont: And it's not that I want to have you.

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Sign in. A scheming widow and her manipulative ex-lover make a bet regarding the corruption of a recently married woman. In 18th century France, the Marquise de Merteuil and the Vicomte de Valmont play a dangerous game of seduction. Valmont is someone who measures success by the number of his conquests and Merteuil challenges him to seduce the soon to be married Cecile de Volanges and provide proof in writing of his success.

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